Andokides biography for kids

Belly Amphora by the Andokides Painter (Munich ) facts for kids

Black-figure side of the amphora.
Red-figure side of the amphora.

The Belly Amphora in the Staatliche Antikensammlungen at Munich (inventory number ) is one of the most famous works by the Andokides Painter. The vase measures  cm high and  cm in diameter. It dates to between and BC and was discovered at Vulci. It was acquired by Martin von Wagner, an agent of Ludwig I of Bavaria.

As a bilingual vase, it is an important archaeological source for the transition from attic black-figure pottery to the red-figure style. Bilingual vases are uncommon, and ones that repeat the same subject in the two styles are vanishingly rare; the vase is therefore very often used to illustrate the differences between the two techniques. It is signed by the potter Andokides, who probably made it. Some scholars assume that the black-figure side was painted by the Lysippides Painter, while others suggest that he is identical with the Andokides Painter.

Description

The Andokides Painter is generally considered to be the inventor of the red-figure style of Greek vase painting. Red-figure was an inversion of the hitherto common b

Andokides (vase painter) facts for kids

Andokides was an ancient Athenian vase painter, active from approximately to B.C. His work is unsigned and his true name unknown. He was identified as a unique artistic personality through stylistic traits found in common among several paintings. This corpus was then attributed by John D. Beazley to the Andokides Painter, a name derived from the potter Andokides, whose signature appears on several of the vases bearing the painter's work. He is often credited with being the originator of the red-figure vase painting technique. To be sure, he is certainly one of the earliest painters to work in the style. In total, fourteen amphorae and two cups are attributed to his hand. Six of the amphorae are "bilingual", meaning they display both red-figure and black-figure scenes.

Biography

Herakles and Athena. Side A of an Attic red-figure bilingual amphora painted by Andokides, ca. B.C., from Vulci. Staatliche Antikensammlung, Munich, inv.

Several details regarding the artistic biography of the Andokides Painter have been suggested through connoisseurial studies of his work. As mentioned, he is widely thought to be the creator of the red-fi

Andocides facts for kids

Andocides (; Greek: Ἀνδοκίδης, Andokides; ) was a logographer (speech writer) in Ancient Greece. He was one of the ten Attic orators included in the "Alexandrian Canon" compiled by Aristophanes of Byzantium and Aristarchus of Samothrace in the third century BC.

Life

Andocides was the son of Leogoras, and was born in Athens around BC. He belonged to the ancient Eupatrid family of the Kerykes, who traced their lineage up to Odysseus and the god Hermes.

During his youth, Andocides seems to have been employed on various occasions as ambassador to Thessaly, Macedonia, Molossia, Thesprotia, Italy, and Sicily. Although he was frequently attacked for his political opinions, he maintained his ground until, in BC, he became involved in the charge brought against Alcibiades for having profaned the mysteries and mutilated the Herms on the eve of the departure of the Athenian expedition against Sicily. It appeared particularly likely that Andocides was an accomplice in the latter of these crimes, which was believed to be a preliminary step towards overthrowing the democratic constitution, since the Herm standing close to his house in the phyle Aegeis was amon

Attic red-figure

Museum: Boston, Museum of Fine Arts
Size: cm  (amphora, Type A)
Function: storage and display
Technique: red-figure (no relief lines, dilute brown lines or washes; much patterning and some incision, as in black-figure)
Style: earliest 'primitive'
Subject/s: A. Herakles drives a bull to scarifice. See preceding for B.
Date: later 6th c.
Analysis: when the vase was made the red-figure technique has just been developed. Here we see the primitive beginnings, with incision and many patterns as in the earlier black-figure manner. The point of juxtaposing the old and new technique on a single large and well made vase could have been commercial – to demonstrate that the workshop that made it can offer both techniques. Close inspection of draughtsmanship may suggest that the black-figure painter (conventionally known as the Lysippides Painter) is not the same as the Andokides Painter.

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