Dima Slobodeniouk
Praised for his exhilarating approach and energetic leadership by musicians and audiences alike, Dima Slobodeniouk has become one of the most sought-after conductors of his generation.
Slobodeniouk works with the world’s foremost orchestras, including the New York Philharmonic, Boston Symphony Orchestra, London Symphony Orchestra, Berliner Philharmoniker, Gewandhausorchester Leipzig, Münchner Philharmoniker, Concertgebouworkest Amsterdam and NHK Symphony Orchestra.
In the /24 season, Dima Slobodeniouk has been invited to make his debuts with the National Symphony Orchestra Washington and Tonhalle-Orchester Zürich. He will furthermore return to the London Philharmonic Orchestra, Netherlands Radio Philharmonic Orchestra, NDR Elbphilharmonie Orchester and Rundfunk-Sinfonieorchester Berlin. He will furthermore appear with the Wiener Symphoniker and Helsinki Philharmonic Orchestra and will make a special return to the Orquesta Sinfónica de Galicia, whose Music Director he was until Further afield, Dima Slobodeniouk opens the /24 season with the Boston Symphony Orchestra in Tanglewood. He will return to the orchestra later this season and will also appear with t
Dima Slobodeniouk is extending his tenure as Principal Conductor of the Lahti Symphony Orchestra and Artistic Director of the orchestra’s international Sibelius Festival until summer He is holding both positions since the beginning of the / season.
Slobodeniouk’s choices of programmes and artists have won widespread acclaim, and his recording with the Lahti Symphony Orchestra (BIS) including Kalevi Aho’s Bassoon Concerto received a prestigious BBC Music Magazine Award in April
Slobodeniouk is looking forward to new encounters with Lahti audiences. ‘I am really happy that my collaboration with the Lahti Symphony Orchestra will continue, and that we will have the chance to develop Lahti’s own orchestra even further’, he says. ‘My first two years have flown by, and now that we have made good progress with new projects, it seems very natural to continue working together.’
The Lahti Symphony Orchestra’s General Manager Teemu Kirjonen is delighted at the continuation of the collaboration with Slobodeniouk. ‘After successful years with Vänskä, Saraste and Kamu, expectations for Slobodeniouk’s time were very high – and they have been brilliantly fulfilled’, he adds. ‘Slobodeniouk
Dima Slobodeniouk
Dima Slobodeniouk studierte bis beider ukrainischen Violinistin Olga Parkhomenkoan der Sibelius-Akademie in Helsinki. Dort schloss er sein Dirigierstudium bei Leif Segerstam, Jorma Panula und Atso Almilaan. Er war Chefdirigent des Orquesta Sinfónica de Galicia von bis , Chefdirigent des Lahti Symphony Orchestra und Künstlerischer Leiter des Sibelius-Festivals von bis Als leidenschaftlicher Verfechter der Förderung von Nachwuchstalenten initiierte er während seiner Zeit beim Orquesta Sinfónica de Galicia ein Programm, um aufstrebenden Dirigent*innen die Möglichkeit zu geben, ein professionelles Orchester zu dirigieren und mit ihm an ausgewähltem Repertoire zu arbeiten. Der finnische Dirigent arbeitet mit den weltweit führenden Orchestern, darunter New York Philharmonic, Boston Symphony Orchestra, London Symphony Orchestra, Berliner Philharmoniker, Gewandhausorchester Leipzig, Münchner Philharmoniker, Wiener Symphoniker, Tonhalle-Orchester Zürich, Concertgebouworkest Amsterdam und NHK Symphony Orchestra. In der Saison /25 gibt Dima Slobodeniouk sein Debüt mit dem Los Angeles Philharmonic und dem Chicago Symphony Orchestra. Er eröffnete die Saison mit Konzerten b
Glorious guests at the LSO's feasting-table: Leif Ove Andsnes and Dima Slobodeniouk
Sudden illness of artists is the stuff of nightmares for concert managements. Thomas Søndergård’s indisposition required a replacement for this London Symphony Orchestra event. Though there was no change in the originally advertised programme, this meant that, a mere ten months after performing Sibelius’ Second Symphony with another London orchestra, Dima Slobodeniouk was conducting it yet again in the capital. Back in , this conductor had been scheduled to do the Four Lemminkäinen Legends, heard much less frequently than the D major work, and in many respects far more typical of Sibelius’ output as well as being orchestrally more challenging. Ahead of that concert the London Philharmonic Orchestra had decided to discard the Legends.
Dima Slobodeniouk
© LSO | Mark Allan
Since it fell to me to review Slobodeniouk’s interpretation of the symphony with the LPO, and this has remained markedly the same – given the conductor’s provenance and background, did it really have to be Number Two in the symphonic canon again? – I can only repeat that this was an utterly compelling view of the work. At
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