Peggy guggenheim autobiography vs biography


Peggy Guggenheim. Image courtesy of the Peggy Guggenheim Collection Archives, Venice

Two images define art collector, socialite, and muse Peggy Guggenheim for me: the headstone of the 14 beloved dogs she had buried beside her, and the enormous dollhouse she had as a child, full of mini bearskin rugs and ivory furniture, which she kept locked and allowed nobody to touch.

These images, put together in the new documentary Peggy Guggenheim: Art Addict, show a woman overflowing with affection, which was often directed at the unexpected. She was a collector of the precious and the ridiculous almost from birth, a woman who imbued objects with almost more value than people, someone who would name a pet dog Pegeen and then be surprised that her daughter of the same name could be offended, a product of two of America&#;s most wealthy families who served up cheap, tinned food at her legendary dinner parties, a flamboyant, eccentric, ambitious Jewish woman who pushed to the front of one of the male-dominated art world at a time when being both female and Jewish were, to say the least, challenging.

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Peggy Guggenheim was the center of mid-century art world.

Peggy Guggenheim, the last dogaressa of Venice. Here is how her collection came into being and what her interests were

by Ilaria Baratta , published on 03/10/
Categories: Works and artists - Quaderni di viaggio / Disclaimer

How Peggy Guggenheim's collection was born and developed, what her interests were, what artists she dialogued with.

“It has always been taken for granted that Venice is the ideal city for a honeymoon, but this is a serious mistake. To come to Venice, or simply to visit it, is to fall in love with it, and in the heart there is no room left for anything else,” so reads a passage in A Life for Art, the autobiography of Peggy Guggenheim (New York, - Camposampiero, ) published in , the year of her death. And certainly Peggy knew that feeling very well: a corresponding bond with her adopted city, in which she spent the last thirty years of her life, from to

By the time she arrived in the lagoon, Peggy was already well known in the contemporary art world as a gallery owner and collector: in fact, her career in this sphere began in , when she was only thirty-nine, with the opening of her first art gallery in London

On Venice

I dedicated myself to my collection. A collection means hard work. It was what I wanted to do and I made it my life’s work. I am not an art collector. I am a museum.

Peggy Guggenheim, Peggy Guggenheim and Her Friends,

EARLY years

Peggy Guggenheim was born in New York on August 26, , the daughter of Benjamin Guggenheim and Florette Seligman. Benjamin Guggenheim was one of seven brothers who, with their father Meyer (of Jewish Swiss and German origin), had created a family fortune in the late nineteenth century from the mining and smelting of metals, especially silver, copper, and lead. The Seligmans were a leading banking family. In April , Peggy’s father died heroically on the SS Titanic during its maiden voyage from England to the United States.

Europe: Paris and London

After growing up in New York City, Peggy traveled to Europe in Thanks to her husband Laurence Vail (the father of her two children Sindbad and Pegeen, who became an artist), Peggy soon found herself at the heart of Parisian bohème and American expatriate society. Many of her acquaintances of the time, such as Constantin Brancusi, Djuna Barnes, and Marcel Duchamp, were to become life

Confessions of an Art Addict

April 10,
Me he debatido, durante un tiempo, el darle las dos o las tres estrellas, y pese a que tengo razones para darle el aprobado tengo otras que no me lo permiten. Como acercamiento al arte moderno cuando como yo, se tienen conocimientos prácticamente nulos, es, digamos, adecuado, para un pequeño, muy pequeño acercamiento. Pero sin embargo, confieso que a pesar de que al final me ha aportado alguna que otra cosilla, sino fuera porque lo tengo que leer para clase, no habría pasado de la segunda página.
Los dos primeros capítulos me parecen absolutamente despreciables, y siento la palabra pero son problemas de buergueses respecto a fortunas, joyas, matrimonios de conveniencia, etc. Después la cosa se pone interesante, de Peggy se podría decir que es una mujer insulsa y superficial con una vida interesante, pues a pesar de todo la impresión final que me he llevado ha seguido siendo la inicial: una mujer sumamente superficial a la que sin embargo la gusta el arte y que tiene una facilidad extrema para relacionarse con gente interesante (esto claro, se explica por su condición social y la familia de la que proviene, mucho más, creo yo, que por s

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