Edna purviance interview answers


Edna Purviance was Charlie’s first great love. (Paulette Goddard and Oona O’Neill were the two later important love relationships in his life). But Edna was the only one who got to know him before he became world had no ulterior motives and was uninfluenced by celebrity. When they met in February , he still thought of himself as a “little nickel comedian.”

In fact, Charlie still was so unknown that on a train trip from L. A. to Chicago one month before he met Edna, nobody noticed him, pestered him for autographs or sought out one-night stands. The temptations and distractions of celebrity had not yet encroached on his privacy. One year later, on a similar trip to New York, he was mobbed by fans at stations along the way and had to disembark secretly from the train at th Street in order to avoid the mass mayhem that awaited him at Grand Central Station.

Purviance adored him, and he was smitten with her. Neither a would-be teenage seductress nor an aspiring professional actress with an agenda of her own, she was not looking for a meal ticket or a star-maker. Chaplin sought her out. Unpretentious, sedate, generous, good-natured, and fetching, the pulchritudinous year-old stenog

Essanay -
Mutual - and
First National - to
United Artists -

Edna Purviance

Edna Purviance was Chaplin's leading lady for 34 films with Essanay, Mutual, First National Films and Chaplin's United Artists film
&#;A Woman of Paris&#;.

'Paris' was her first starring role, but her last film working with Chaplin.

Edna was at the top of her career when she and Mabel Normand were present at the Dine's shooting on New Year's Day The shooting was done by Mabel's chauffeur, but it marked that started the end for both of their careers.

Edna made two more films, 'AWoman of the Sea' (also known as The Sea Gull) in L.A. and 'Education de Prince' in France during the mid's.

She lived a very active, but quieter life at her Los Angeles home, with her many friends and family around. She was married for a few years, but her husband died suddenly in San Francisco.

She was asked to do a TV interview in the 's, but didn't, remarking she belonged to the silent era.





Edna Purviance and Charlie Chaplin in 'Work'


Charlie Discovers Edna
A Wonderful Bit of Chance and Speculation
Two Lives in Two Different Worlds

Written and Research by Linda Wada ©January -
Edited by Wesley Wada

Released – September 10,

The is Part Five of a Six Part research article. Click to view the entire series on the site.

Edna was enjoying the party of her life at the Civic Exposition Ball on the evening of January 9, It was likely the biggest public social event she had ever attended. The next morning, Edna could have read about the event as she relaxed after the all-night, dance-til-dawn affair.

That same morning in Illinois, Chaplin was reading the Chicago paper about his own special event - an interview, about HIMSELF!

‘‘Charles Chaplin, a Modest Violet Scared to Death of Publicity", was the headline on the top of the theater section of the Sunday Chicago Tribune, January 10,



Charlie Chaplin Photo: Hill Family Collection Copyrighted.


Chaplin was not one to cozy up to the press and would shy away, especially in his early years. The interview occurred about four days earlier, with G.M. “Bronco Billy” Anderson present. Chicago reporter Mae Tinee visited

Richard Meryman This interview is entirely concerned with your work and your art, and nothing else. I want to give some indication of how you work.

Charlie Chaplin The summation of my character is that I care about my work. I care about everything I do. If I could do something else better, I would do it, but I can't.

MERYMAN Can you talk about the moment you created the Tramp outfit?

CHAPLIN It all came about in an emergency. The cameraman said put on some funny make-up, and I hadn't the slightest idea what to do. I went to the dress department and, on the way, I thought, well, I'll have them make everything in contradiction - baggy trousers, tight coat, large head, small hat - raggedy but at the same time a gentleman. I didn't know how I was going to do the face, but it was going to be a sad, serious face. I wanted to hide that it was comic, so I found a little moustache. And that moustache was no concept of the characterisation - only saying that it was rather silly. It doesn't hide my expression.

MERYMAN When you looked at yourself, what was your first reaction?

CHAPLIN It'll do. It didn't ignite anything. Not until I absolutely had to play it

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