One of the few surviving members of the first generation of Pop international artists, Tadanori Yokoo [b, , Japan] has left an indelible mark on the aesthetic and cultural exchanges between Japan, Europe, and the U.S. since the s. Appropriating and intermixing Western and traditional symbols, Yokoo’s subversive poster designs were instrumental in the development and dissemination of a new iconography for post-war Japan.
Moving to Tokyo in to pursue his passion for painting and a career in graphic design, Yokoo quickly became a rising figure within the Japanese avant-garde. Working across disciplines and continents, Yokoo counted many renowned creative minds –– within Japan, such as the poet Yukio Mishima, and in his visits to New York, figures such as the artist Jasper Johns –– among his many points of connection.
By , Yokoo had achieved widespread international recognition and was exhibiting widely at a number of prestigious institutions including a solo exhibition, Graphics of Tadanori Yokoo, at the Museum of Modern Art, New York. During this time, his commercial work included designin
Tadanori Yokoo
Tadanori Yokoo was born in Nishiwaki, Japan in As a teenager, his modest dreams were to work at a post office and to paint. He entered the profession by replicating paintings, designing store wrapping paper, and drawing posters for the Chamber of Commerce. His first notable work, a self-titled poster at the Persona group&#;s joint exhibition, attracted attention because it diverged from contemporary graphic styles. This shocking poster featured a hanged man against a blue sky with red rays emanating from a rising sun. His name appeared at the top; the bottom corners held childhood photographs and the simple ironic statement, &#;having reached a climax at the age of 29, I was dead.&#; The rising sun motif, considered old-fashioned at the time, recurs throughout his body of work and has become emblematic of &#;Yokoo style&#; and an international symbol of Japanese pop art.
Following this success, Yokoo participated in the Brno Biennial and collaborated with
LEGEND / Renowned Japanese Artist Tadanori Yokoo Talks Art, Spirituality
By Mutsumi Morita / Yomiuri Shimbun Staff Writer
JST, December 11,
Tadanori Yokoo first drew attention as a graphic designer in the s, before later broadening his skill set to become a novelist, essayist and actor, among other roles.
Since turning his hand to painting in , Yokoo, 87, has gained worldwide praise for his works that combine spiritual imagery with everyday affairs. He is now held in high regard by young and old from across the social spectrum.
Yokoo’s artworks often feature images related to death. “TADANORI YOKOO” — a poster-like block print representative of his early work — depicts the artist hanging himself.
His first book of paintings, meanwhile, is titled “Yokoo Tadanori Isaku-shu” (Tadanori Yokoo’s posthumous works).
Several factors contributed to his style. Yokoo’s adoptive parents certainly had a strong impact. Born in the town of Nishiwaki — now Nishiwaki City — in Hyogo Prefecture, he was adopted at age 3 by his father’s elder brother and his wife.
As his adoptive father and mother were “already quite old” when Yokoo became self-aware, he feared that they would soon
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